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7月30日18：00-22：00
20．《搬迁：最后的洞穴村落》，时长180分钟，导演郝跃骏（中国）。
这部纪录片是《山洞里的村庄》（1995年）之后，作者再次对这个村庄所做的长达两年的影像观察。作品讲述了一个深藏在洞穴里的同一个村庄、同一些人物，在不同时内发生的不同的故事，是为《山洞里的村庄》的续集。
当这个村庄通电五年以后，一个再次打破了村里宁静的消息又从省城传来。洞穴村落在延续了二百多年后的一天，当地政府一个"搬迁工作小组"奉命来到这里，他们要求村民们限期搬出生存条件日趋恶化的山洞。于是，这个世界上最大的洞穴村落又开始动荡了起来，一系列围绕搬迁的冲突开始出现，围绕着整个村庄的搬迁，出现了本片所纪录的一系列曲折、复杂而感人的故事。
Relocation: The Last Cave Village, 180min, by Hao Yuejun (China).
After A Village in A Cave (1995), the filmmaker spent two years doing fieldwork in this cave village again and made this documentary series. The film tells about a different story of the same people of this hidden village. It is a follow-up interview of A Village in A Cave.
Five years after electricity was supplied to this village, an information from the province, once again, broke the silence of the village. A 'Relocation Working Group' from the local government came and asked the villagers to move out of the bad-conditioned cave they have been living for more 200 years for generations. Consequently, in this biggest cave village in the world, a series of conflicts and stories on relocation occurred. Surrounding the relocation, the film presents a complicated and impressive story occurred in this cave village.
With an entire event, the film describes the culture, the living style, politics and social development of a Chinese rural area, and records the evolution of this Chinese rural society.
7月31日
7月31日8：00-8：23
21．《埃塞俄比亚旅馆11号房间》时长23分钟，导演Itsushi Kawase（日本）。
影片旨在通过住在埃塞俄比亚贡德尔（Gondar）街头的两个流浪儿与日本的影片作者Itsushi Kawase之间互动的见证来表达关于两个孩子生活的一种感受。虽然影片是关于流浪儿的街头生活的，但整部电影均在作者的电影是在电影制作人位于贡德尔皮阿萨（Piassa）的埃塞俄比亚旅馆房间中拍摄的。有限的空间使影片得以聚焦两个孩子与作者之间的交流，也揭示了一些使得他们能够在街道上忍耐并生存下去的想法。影片更像是敏感的证词，而非一部科学纪录片。通过混合多种方法，影片作者希望探索影视人类学涉及亲密性和主观性的新趋势。
Room 11, Ethiopia Hotel, 23min, by Itsushi Kawase (Japan).
This film aims to capture a sense of the life of children living on the street in Gondar, Ethiopia by witnessing the interaction between two children and the Japanese film-maker, Itsushi Kawase. Although it is about the children's life on the streets, the entire film was shot in the film-maker's room in the Ethiopia Hotel in Piassa, Gondar. This limited space allows the film to focus on communication between two kids and film-maker and to reveal some of the ideas that enable them to endure and survive on the streets. This film is more a sensitive testimony than a scientific documentary. Through its hybrid approach, the film-maker aims to explore new trends in visual anthropology touching upon intimacy and subjectivity.
7月31日8：40-9：36
22．《家族》（又名《双凤辞典》），时长56分钟，导演贾丁（中国）。
双凤村是湖南湘西的一个土家族寨子，寨子里的村民几乎全部姓彭，彭氏家族经过几百年的繁衍，分成大房、二房、三房三个分支，其中大房人少，二房和三房则在村里人多势众。
按照土家族传统，家族要定期举办祭祖的活动，祭祀需要一名主持，二房长者和三房长者互相竞争起来。恰逢此时，村里开始了两年一度的村民选举，寨子里的老人们为祭祖发生了矛盾，两房的年轻人也都对村长的职位跃跃欲试。
"The Family" （Also called "The Dictionary of Shuangfeng"）
Shuangfeng village, a Tujia nationality stockaded village, is located in the western Hunan Province, China. The first name of almost all the villagers in the stockaded village is PENG. After several hundred years' development, the family is divided into three offsets, called Dafang, Erfang and Sanfang, respectively. Dafang and Erfang are dominant in the village, and Dafang is subordinate because of its less people.
According to the traditions of Tujia nationality, the family should hold the fete ceremony according to their schedule. A president is needed on the ceremony, then the older people of Erfang and Sanfang began to compete with each other for the president. But, exactly at the that time, democracy voting began every two years. The young people of Erfang and Sanfang were eager to run for the position of village leader.
Then, contradiction existed in the older people for the fete ceremony and in younger people for running for the leader.
7月31日10：00-11：45
23．《生活在金三角的人们》，时长106分钟，导演王艺忠（中国）。
本片作者数年来深入金三角腹地拍摄，向观众讲述一群被大山阻隔的佤族烟农在金三角特殊的社会背景下的生存方式。
他们延续着祖上留传的刀耕火种耕作方式，播种着罂粟、玉米和谷子。他们只知道大烟可以换成钱，却不知道用其炼制的海洛因在全世界造成了多大的危害。
他们靠祭鬼神来消灾免难、祈求丰收；靠魔巴驱魔、吸食鸦片来治疗疾病。以至于形成了"小病靠大烟，大病靠魔巴"习俗。
2005年当地军政府向世界宣布："在辖区内禁种罂粟，以实现无毒源区。"并派出军队铲除了他们种植的罂粟。大烟禁种了，可世代靠种大烟换取粮食、盐巴、衣物为生的他们将何去何从？
People living in the Golden Triangle
The film displays a picture of the Wa tobacco grower who are separated by mountains struggle for survival under the special social background of the Golden Triangle and the aboriginal and mysterious life form,it carries out in a large number of little-known and visual-impacted scene which based on the source screened for many years in the hinterland of the Golden Triangle.
They extend the primitive farming methods of slash and burn, planting opium poppy, corn and valleys…They only know the poppy brings money to them but don't know the diamorphine made from the opium poppy has done harm to the whole world.
They vainly attempt to avoid calamities and impetrate foison by offering sacrifice to the ghosts and gods; and believe in exorcism of the koradji of MOBA and cure disease on sucking opium, thus the they have formed a habitude of "opium cures indispositions and MOBA cures serious disease ".
The local military government declared that "no planting poppy in the precinct and a realization of on narcotics" in 2005 and they expedited armies to uproot the poppies. Planting poppy was forbidden, but what course the people who get food, salt and clothing on poppy to follow?
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文章来源：新华网云南频道 2009年07月24日 12:32:47
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