【首页】 中国民俗学会最新公告: ·中国民俗学会2024年年会征文启事   ·第三届民俗学、民间文学全国高校骨干教师高级研修班(2024)预备通知   ·中国民俗学会成立四十周年纪念大会暨2023年年会召开  
   研究论文
   专著题录
   田野报告
   访谈·笔谈·座谈
   学者评介
   书评文萃
   译著译文
   民俗影像
   平行学科
   民俗学刊物
《民俗研究》
《民族艺术》
《民间文化论坛》
《民族文学研究》
《文化遗产》
《中国民俗文摘》
《中原文化研究》
《艺术与民俗》
《遗产》
   民俗学论文要目索引
   研究综述

民俗影像

首页民俗学文库民俗影像

国际人类学与民族学联合会第十六届大会影视展映:中英文简介
  作者:中国人类学民族学研究会 | 中国民俗学网   发布日期:2009-07-26 | 点击数:45428
 

        8.Han Xin's Revenge: A Daoist Mystery,时长100分钟,导演Patrice Fava(法国)。

        The great general Han Xin, after five years of heroic battles on the side of Liu Bang, has finally defeated Xiang Yu, the powerful hegemon of Chu, thereby aiding in the rise to power of Liu Bang, who would become the Emperor Gaozu, founder of the Han Dynasty. But the emperor was jealous of Han Xin's popularity and charisma, and had him assassinated, under the pretext that he was plotting against the throne. At his death, it is said, the sky turned black and his spirit was swept up into the beyond. His apotheosis is regarded as one of the great Daoist Mysteries of the Hunan region. The history of his revenge against the emperor first became a local epic and then a liturgical drama, which the Daoists of today continue to stage. This film, the subject of which cannot be found in Daoist written sources, will be of great interest not only to Daoist specialists, but also to those who are interested in the Nuo theatrical tradition, mythology, and, of course, Chinese ritual and religion. This unique film documents a great sacrificial ceremony, known as Duchangyuan, which lasts four days and four nights. It opens the door to a totally unknown esoteric ritual tradition with a very ancient pedigree. It also reveals that Daoism remains alive in the memory of the Chinese and that Daoist Masters still play a major role in contemporary society

        《韩信复仇记》

        韩信为汉高祖刘邦出谋划策,灭楚霸王项羽,奠定了汉朝四百年的江山。刘邦登基之后,怕他谋反,设毒计将他暗杀。韩信在幽冥复仇雪恨,指使妖精作怪,以致刘邦病魔缠身,无药可医。全国挂榜求医。法师朱鹤,撕榜面圣,为汉高祖治病救急。他赶去龙虎山天师府请旨。天师指点 到乌风洞,请出十大都猖,捉妖除怪。十大都猖原来是巡山把界十大蛮王,被韩信前生收复,押在乌风洞内,变成十大都猖,在韩王麾下,掌管善者布福,恶者降殃之职。十大都猖把妖怪擒来,押赴法场宰杀,祭祀韩王,汉高祖病愈。

        韩信的事迹成为当地史诗。自古以来,在湖南地区他被尊为道教法师最高的神明。传说,每年白露时节他在天上做十天皇帝。至今,湖南道士仍举行隆重的大法事--"还都猖大傩愿"。从"起首"到"送圣回銮",科仪四旦四夕接连不断。其间,道士演绎韩信的神话、请十大都猖捉妖,并做"太牢"祭祀韩信。

        这部影片为研究道教、民俗、傩戏、宗教仪式的学者提供了生动宝贵的研究资料。

        9.Schoolscapes,时长78分钟,导演David MacDougall(澳大利亚)。

        Inspired by the cinema of Lumière and the ideas of the 20th century Indian thinker Jiddu Krishnamurti, David MacDougall follows up his Doon School Quintet, a series of films about a traditional school in North India, with this film about a famous progressive co-educational school in Andhra Pradesh, South India, the Rishi Valley School. Throughout his life, Krishnamurti taught that one should strive to observe more calmly and clearly the things around one. This too was how cinema began, and what excited its first audiences. This film attempts to recapture that freshness of observing the world. It is dedicated to the simple act of looking, in which each scene consists of a single shot.

        10.Duka's Dilemma,时长87分钟,导演Jean Lydall(英国)。

        Duka is a married woman and mother of five young children, living in Hamar, Southern Ethiopia. She welcomes her friend Kaira, daughter of anthropologist Jean Lydall, by encouraging her to make a film about herself and her family. Ever since her husband married a beautiful, young second wife, Duka has been in a state of emotional turmoil. Among the Hamar, who live with herds of cattle and goats, and cultivate small fields of sorghum in remote, bush-covered country, men are allowed to marry more than one wife, but only a few men ever do so. Duka wonders why her husband married again; did he find her too old, or was he turned off because of her chronic malaria? Also, she doesn't know what to make of Boro, the new wife, who is silent and never expresses her feelings except in rage? And on top of this, Duka's mother-in-law is angry with her son for marrying a second wife behind her back. Duka is optimistic, however, that things will improve once her co-wife gives birth. Sagonda, the mother-in-law, talks about her indispensable role whenever a daughter-in-law gives birth, and then a scene unfolds in which Boro, Duka's co-wife, goes into labour and, with the help of Duka, the mother-in-law and two other women, gives birth to a son. Marcelo Fiorini describes this scene as "some of the most stunningly powerful footage ever shot in ethnographic film." Nine months later, Duka, having given birth to yet another son, explains how well she and her co-wife are getting on with each other, but how their mother-in-law, Sagonda, is creating problems. At the naming ceremony for Duka's child a heated dispute erupts between the mother-in-law and her son, Sago. Sagonda, who suffers feelings of exclusion in her son's ménage, demands a new house, while her son complains about her drinking habits. The elders who are present resolve the dispute by recommending that Sago build a new house for his mother. The construction of a roof for this house by local men and boys both parallels and complements the birthing scene in the first part of the film. The film ends with Duka speaking to Kaira, saying, "Tell Tammo's dad he should see me in the film. May his friends and yours know it; hearing and seeing, may they like it. That's my request for the film."

        11.《大河沿》,时长60分钟,导演刘湘晨(中国)。

        在塔克拉玛干沙漠腹地,世代居住在大河沿的人们就叫克里雅人。

        老赛地肉孜85岁了,他和他的家人在达里雅博依这个叫做奎克吉依黛(青沙枣)的地方生活了四代,即将临产的外孙女热比汗给他带来的重孙将是这个家族的第八代。

        热比汗曾有过一次婚史,后认识了卡车司机斯迪克并成为他的情人。在热比汗即将临产之前,斯迪克才与原妻离婚并与热比汗办了结婚手续。带着即将出生的孩子,再加上斯迪克原来的孩子,热比汗希望自己能与斯迪克共同组成一个家。

        但是,热比汗的两位舅舅认为这是一件辱没家门的事,他们不希望把这个孩子生下来。

        热比汗的妈妈已有过两次失败的婚姻,她希望孩子生下来,这个外孙将是她后半生唯一的希望和寄托。

        老赛地肉孜是最后一个知道外孙女怀孕的人,他没有说一句话。

        在各种议论中,老赛地肉孜的重孙出生了,这是一个女孩儿。四十天后为孩子取名,老赛地肉孜托了人去找重外孙的父亲斯迪克,一边通知远近的亲戚和相熟的人来参加他重外孙的命名仪式。

        在命名仪式即将举行的前一天,受托的人回到了奎克吉依黛,带回了斯迪克没找到的消息,老赛地肉孜的一家人都落了泪。老赛地肉孜重外孙的命名仪式如期举行,老人给她起了一个与伊斯兰圣地相关的名字,叫:麦地那汗。

        Beside the River

        This is the first audiovisual work about the Keriyans.

        In the hinterland of the Taklamakan Desert, the Keriya River, rising in the Kunlun Mountains and flowing northward, forms a green corridor about 400 km long and 5 km wide. The lower reaches of the river are called Daria-boyi, which means "riverside". The people living here for generations are called the Keriyan.

        Saderoz is 85 years old. He has lived with his family at the place called Kuikejiyidai (means green oleaster) in Daria-boyi for four generations. Rabiehan, his parturient granddaughter, will give birth to a baby, his great grandchild and the first member of the eighth generation of the family. However, quite a few people nearby have privately called the upcoming baby a "bastard".

        Rabiehan has been married once before. Later she got acquainted with Stick, a truck driver, and became his lover. Only when Rabiehan was close to giving birth did Stick divorce his wife and marry Rabiehan. Rabiehan hopes she can have a good family with Stick, together with her upcoming baby and his child.

        But, Rabiehan's two maternal uncles think this will bring disgrace to the family. They don't want the baby to be born.

        Rabiehan's mother, after having undergone two failed marriages, wishes to have the baby. This grandchild will be her only hope and spiritual ballast in the latter part of her life.

        Saderoz was the last one to know that his granddaughter was pregnant. He didn't speak a word about it.

        The great grandchild of Saderoz is born regardless of other people's gossip. The baby is a girl. A naming ceremony should be held in the 40th day after her birth. Saderoz asks a man to find the baby's father Stick. Meanwhile, he notifies his relatives and acquaintances far and near to attend the naming ceremony of his great granddaughter.

        The day before the ceremony, the man comes back with a bad news: he didn't find Stick. The Saderoz family all shed tears.

        The naming ceremony is on schedule. Saderoz gives his great granddaughter a name associated with an Islamic holy site-Medinahan.


继续浏览:1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |

  文章来源:新华网云南频道 2009年07月24日 12:32:47

上一条: ·综述:中国影视人类学进入快速发展黄金时期
下一条: ·哈斯朝鲁:每个人心中都有一首长调
   相关链接
·[田逸凡]现代民俗问题格意识在中国的发生和应用性探讨·[柯小杰 王君钢]传承优秀传统文化 服务民族学专业教学
·[刘广宇]中国节日影像志:回到节日本身的理论自觉·[苏永前]作为对话场域的“神话/历史”:两种人类学的“神话/历史”之辨
·[苏林]看见、记录、表达:影视人类学视阈下的民俗文化记录·[李牧]现当代艺术的民俗学根源
·[丁木乃]彝族坨坨肉食俗及其社会文化意义·[周星]民俗语汇·地方性知识·本土人类学
·[赵世瑜]唐传奇《柳毅传》的历史人类学解读·[赵世瑜]唐传奇《柳毅传》的历史人类学解读
·[漆凌云]立足本体:故事研究向叙事本位的回归·[漆凌云]立足本体:故事研究向叙事本位的回归
·[胡蓉]浅议《天工开物》的人类学意义·[马威 哈正利]在科学与人文之间:马林诺夫斯基的现代性人类学
·[周大鸣]中国人类学研究的概念创新与实践经验·[庄孔韶]金翼山谷冬至的传说、戏剧与电影的合璧生成研究
·[熊迅 张举文 孙正国] 民俗影像的操作化与可能性·[李牧]“人类学转向”下当代艺术的文化逻辑
·[潘宝]遗产人类学视域中的非物质文化·[周大鸣]三十而立——中国都市人类学的发展与展望

公告栏
在线投稿
民俗学论坛
民俗学博客
入会申请
RSS订阅

民俗学论坛民俗学博客
注册 帮助 咨询 登录

学会机构合作网站友情链接版权与免责申明网上民俗学会员中心学会会员学会理事会费缴纳2024年会专区本网导航旧版回顾
主办:中国民俗学会  China Folklore Society (CFS) Copyright © 2003-2024 All Rights Reserved 版权所有
地址:北京朝阳门外大街141号 邮编:100020
联系方式: 学会秘书处 办公时间:每周一或周二上午10:30—下午4:30   投稿邮箱   会员部   入会申请
京ICP备14046869号-1       技术支持:中研网