【首页】 中国民俗学会最新公告: ·中国民俗学会第十届代表大会暨2022年年会开幕   ·中国民俗学会2022年年会征文启事——民众之学:民俗实践与新文科建设   ·CFS会务║就会员会籍管理问题致广大会员的一封信  
   本网公告
   学会简介
   学会章程
   学会机构
理事会
秘书处
中国民俗学网编委会
中国民俗学会志愿者团队
   学会大事记
   学会会议
会议动态
联办会议
   学会活动
中国民俗学会与非遗保护
我与中国民俗学会:纪念中国民俗学会成立30周年
中华春节全景纪实摄影行动
生肖卡通设计有奖征集
感受春节:马鸣湖杯学生征文
春节文化网上谈
   知识中的伙伴
民间文化青年论坛
北京民俗博物馆
学苑出版社
妙峰山研究会
   对外学术交流
中美非物质文化遗产论坛
   学会出版物
学会年刊
中国民俗学年鉴
   联系我们

学会成立30周年系列纪念活动

首页中国民俗学会学会会议专题研讨会学会成立30周年系列纪念活动

【讲座预告】比尔·艾伟:作为非物质文化遗产的历史流行文化?
  作者:北京大学中文系民间文学教研室 | 中国民俗学网   发布日期:2013-06-02 | 点击数:5552
 

演讲题目:Historical Pop Culture as Intangible Culture Heritage?
               作为非物质文化遗产的历史流行文化?

主讲人:比尔· 艾伟(Bill Ivey)
            美国范德堡大学中美教育与文化中心主任,美国民俗学会前任会长 

时间:6月3日(周一)下午三点到五点
地点:北京大学静园五院-中文系二楼报告厅


欢迎大家参加!

主办:中国民俗学会  北京大学中文系民间文学教研室

2013年6月2日


主讲人简介:

比尔· 艾伟 Bill Ivey (AFS President, 2006-2007)

Bill Ivey is the Director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University, an arts policy research center with offices in Nashville, Tennessee, and Washington, DC. He also serves as Senior Consultant to Leadership Music, a music industry professional development program, and chairs the board of the National Recording Preservation Foundation, a federally-chartered foundation affiliated with the Library of Congress.

From May, 1998 through September, 2001, Ivey served as the seventh Chairman of the National Endowment for the Arts, a federal cultural agency. Following years of controversy and significant budget cuts, Ivey's leadership is credited with restoring Congressional confidence in the work of the NEA. Ivey's Challenge America Initiative, launched in 1999, has to date garnered more than $19 million in new Congressional appropriations for the Arts Endowment. Ivey returned to Washington, DC, in the fall of 2008 to serve as Team Leader for Arts and Humanities in the Barack Obama Presidential Transition.

Prior to government service, Ivey was director of the Country Music Foundation in Nashville, Tennessee. He was twice elected board chairman of the National Academy of Recording Arts and Sciences. Ivey holds degrees in folklore, history, and ethnomusicology, as well as honorary doctorates from the University of Michigan, Michigan Technological University, Wayne State University, and Indiana University. He is a four-time Grammy Award nominee (Best Album Notes category), and is the author of numerous articles on US cultural policy and folk and popular music. Ivey is the author of Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights (University of California Press, 2008), called by critic Benjamin Barber "an important book about democracy.” (来源:美国民俗学会网站

主讲人代表作:

Arts, Inc.: How Greed and Neglect Have Destroyed our Cultural Rights

Bill Ivey on the state of the arts in America

In this impassioned and persuasive book, Bill Ivey, the former chairman of the National Endowment for the Arts, assesses the current state of the arts in America and finds cause for alarm. Even as he celebrates our ever-emerging culture and the way it enriches our lives here at home while spreading the dream of democracy around the world, he points to a looming crisis. The expanding footprint of copyright, an unconstrained arts industry marketplace, and a government unwilling to engage culture as a serious arena for public policy have come together to undermine art, artistry, and cultural heritage—the expressive life of America. In eight succinct chapters, Ivey blends personal and professional memoir, policy analysis, and deeply held convictions to explore and define a coordinated vision for art, culture, and expression in American life.

Reviews

At a time when international polls show doubts about America, our art and culture are a crucial resource for our soft power. Bill Ivey does a wonderful job of explaining the importance of art as a public issue. —Joseph S. Nye, Jr., author of Soft Power: The Means to Success in World Politics

A profoundly important diagnosis by perhaps America’s best-qualified critic of the harm to our culture caused by overregulation and inadequate support. Ivey has given us a rich and beautifully written warning about the culture we’re losing, and a powerful and historically compelling image of a culture that could be.—Lawrence Lessig, Stanford Law School

Walt Whitman was democracy’s eloquent poet who understood that democracy is not just a form of government but a way of life rooted in culture. Bill Ivey is culture’s eloquent advocate who knows that as democracy needs the arts, the arts need the advocacy of government. His manifesto Arts, Inc.  is a passionate attack on the commercialization of culture and a plea for a cultural bill of rights that will restore to all Americans their right to a heritage, to creative expression and to a creative life. This is not just a vital book about the arts, but a vital book about democracy. —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed

Bill Ivey has written a thoughtful and thought-provoking book on the state of the arts in America today. He tracks our loss of heritage and risk-taking and comments cogently on the past culture wars. His discussion of the corporate hijacking of intellectual property is highly articulate and should be read by everyone.—Jane Alexander

You don’t have to agree with all his conclusions to recognize that Bill Ivey’s Arts, Inc.  is an important book. It’s a must-read for all those interested in American art and culture and the public interest in preserving access to our heritage for everyone, and as it contributes to the arts of today and tomorrow.—Frank Hodsoll

Arts, Inc. is the first comprehensive effort to explore the role and potential of a coordinated vision for art, culture, and expression in American public life. Through strands of personal and professional memoir, policy analysis, for-profit and nonprofit industry insights, and personal conviction, Bill Ivey defines a new canvas for more productive and inclusive conversations on the expressive life of our nation and its citizens.—Andrew Taylor, Bolz Center for Arts Administration, University of Wisconsin-Madison

Very few observers of the contemporary U.S. and global arts worlds have Bill Ivey’s capacity for first-hand examples of how trade representatives, artists, music executives, corporate attorneys, elected officials, non-profit executives and many other participants influence the course of the arts, and in particular, the public’s access to the arts. Arts, Inc. is an important work because it asserts, in a very thoughtful and urgent manner, that Americans have a right to a better expressive life.—John Kreidler, retired Executive Director, Cultural Initiatives Silicon Valley

 

  文章来源:民俗学论坛
【本文责编:CFNEditor】

上一条: ·中国民俗学会成立30周年纪念大会暨学术报告会:主持词
下一条: ·人民网:专家建议有关部门将“民俗学”调整为一级学科
   相关链接
·保护非物质文化遗产政府间委员会第十七届常会即将开幕·《非物质文化遗产学术精粹》全七册出版
·[季中扬]亲在性与主体性:非遗的身体美学·[朱向羽]非物质文化遗产“铢铢镲”的传播演变研究
·[张梦瑶]新文科背景下非物质文化遗专业建设的思考·[余文星]“一带一路”格局下新会葵艺的传承创新与品牌开发研究
·[徐鹏飞]江苏非物质文化遗产与旅游业融合研究·[徐金龙 李威威]文化强国背景下九曲黄河阵灯俗的传承发展
·[徐家乐]新疆毛皮画艺术及传承保护研究·[辛海蛟]非遗助力乡村振兴
·[王淑慧 周波]疫情时代非物质文化遗产展演的困境与解决路径·[王娜]关于威海市非物质文化遗产保护情况的调研报告
·[王丹]融入国民教育:非物质文化遗产进校园实践路径研究·[唐璐璐]非物质文化遗产的本真性:实践中的概念误用与路径混淆
·[沈昕 黄琳琳]非物质文化遗产视角下三河羽毛扇的保护与传承·[冉小芳 左红卫 王耀萱 龚光平]乡村振兴视阈下剑河苗族剪纸的传承发展研究
·[欧静]疫情常态化防控背景下,柳州非物质文化遗产保护与传承新探索·[马桂纯]民族博物馆与非物质文化遗产保护研究
·[刘明花]河西宝卷展演的场域问题研究·[刘蓓]省级非遗馆建设理念、标准与路径

公告栏
在线投稿
民俗学论坛
民俗学博客
入会申请
RSS订阅

民俗学论坛民俗学博客
注册 帮助 咨询 登录

学会机构合作网站友情链接版权与免责申明网上民俗学会员中心学会会员学会理事会费缴纳2022年会专区本网导航旧版回顾
主办:中国民俗学会  China Folklore Society (CFS) Copyright © 2003-2022 All Rights Reserved 版权所有
地址:北京朝阳门外大街141号 邮编:100020
联系方式: 学会秘书处 办公时间:每周一或周二上午10:30—下午4:30   投稿邮箱   会员部   入会申请
京ICP备14046869号-1       技术支持:中研网